For Amelia Casablanca pomp is de rigueur: it’s in the fabrics, in the embroidery and the lines. Big scarves and trains softly fall to the floor with a flowing movement. The embroideries keep the leadership by becoming macro on bodices to then get smaller as they descend the skirt. They enrich the gown, turning it into a real “jewel”. The lines, even if they are precise, are still fluid, loose and enveloping.